I liked how the film finds excitement in Mahendra and Mahima's dull lives and transforms their humdrum existence into an ode to second chances, notes Sukanya Verma.
KGF star Yash has agreed to play Ravan in the adaptation of the Ramayan. But he will not be seen in the first part of the three-part feature film omnibus.
Brinda examines some alarming aspects of religious fanaticism through the narrative engine of a well-oiled serial killer mystery, observes Arjun Menon.
Bollywood has dealt with same sex relationships before, but homophobia runs deep.
Call Me Bae is a spirited new addition in guilty pleasures for the fashion-loving, rom-com starved soul, applauds Sukanya Verma.
Ranbir Kapoor's natural born talent and chartbuster karma are open secrets. What distinguishes RK from his contemporaries is his willingness to take chances in his career.
Sukanya Verma gives us five reasons to look forward to December 1 when Animal's father-son tale unleashes itself on screens.
Sreehari Nair presents his Top 20 movies of the decade.
There's something very pompous about the basic pitch of this movie that slowly chews away at its core, feels Sreehari Nair.
Guruvayoorambala Nadayil is a no-holds-barred, silly comedy that will keep you glued to the screen even when the going gets tough towards the end but the smile on your face will not leave, observes Arjun Menon.
Much of Sajini Shinde Ka Viral Video's enjoyment comes from the carefully picked star cast who do a pretty good job, observes Mayur Sanap.
With the rains pouring down on us, August offers yet another reason to stay home!
Through Manorathangal, M T Vasudevan Nair makes himself available to a whole new generation of uninitiated viewers, who can familiarise themselves with his rich body of work and hope to learn a thing or two about life in all its messy grandeur and flawed imperfections, notes Arjun Menon.
There are no great emotional highs or lows in Dono. It is just made up of little moments of normal interactions between young people, observes Deepa Gahlot.
'This creature that I play is so evil, he is way beyond my comprehension of wickedness.'
'I wanted people to know that women across all ages have an exciting life.'
'I think because India is a bigger country and Bollywood is such a well-oiled machine, the star thing has become so much bigger than the actor thing.'
'That's how big this taboo is.' 'It would be difficult for them to understand what I am trying to show with Jaggi.'
With an endless number of star kid debuts in the offing, we thought of looking at how this decade's brigade compares to their mums, dads, uncles or siblings.
Audiences have not seen a hero like Agastya since Rishi Kapoor in Bobby.'
With a solid Vijay Varma at its centre, Kaalkoot is a riveting watch, raves Mayur Sanap.
Delving into deeper topics, fleshing out a timely satire, rooting for womanhood while being full of beans, dance, music, charm and comedy, Greta Gerwig's creativity knows no bounds, raves Sukanya Verma.
When we have people around us, we shirk from telling them how we truly feel, and once they are gone, we are filled with regret for not having found the time or the words to communicate what we felt, notes Aarti David.
In the mood for romance but don't know which movies to watch? Tamil cinema has a lot to offer on OTT, and Arjun Menon lists his favourites.
Sukanya Verma looks at how one of the seven primal human emotions is usually treated in Hindi movies.
Anthology movies are a strange beast. They can be as monotonous and harmless as munching away a bumper bag of chips -- you eat one, you have to finish the rest. Or they can be like discovering a rare treasure marked by profound insight and offbeat experiences, observes Sukanya Verma.
Sanjay Gadhvi once revealed to Subhash K Jha that he never wanted to make Dhoom.
Animal is the kind of material that Ranbir Kapoor's formidable talent richly deserves, observes Mayur Sanap.
The Railway Men is a compelling watch; the subject is handled with seriousness and respect without going overboard with the dramatic impact, observes Mayur Sanap.
The Song Of Scorpions is a reminder, if one were needed, that Irrfan was not just a star actor but a true artiste, observes Deepa Gahlot.
A film that looks and sounds so gorgeous, must be welcomed, applauds Deepa Gahlot. Qala Review.
There's been so much interesting content on OTT. Subhash K Jha picks his Best Original Feature Films on digital platforms.
'We're not looking at the importance of men standing up for women. And that, to me, is the power of the film.'
In spite of a selection of fine actors doing their best, and an eye-catching visual quality, Rana Naidu is more disturbing than entertaining, feels Deepa Gahlot.
'I don't jump at everything that comes my way. (But) To say that I have too many offers coming my way is also a lie. I'm not one of those people who turn down scripts every day.'
If the trailer is any indication, Ranbir Kapoor's Animal will be one of the most violent films of 2023.
Darlings is a well-rounded effort by Jasmeet K Reen, supported by bold ideas and clever imagery, raves Sukanya Verma.
This is a film written for an audience that thrives on Vijay's stardom and it satisfies them thoroughly, observes Divya Nair.
Between shrieky humour, overstated emotions and done-to-death bouts of London tourism, Double XL plods to kickstart the actual discussion, sighs Sukanya Verma.
